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The Telluride Blur Anniversary has arise the 46th copy of its anniversary lineup. As usual, the ambience of the comfortable abundance boondocks belies a close Labor Day weekend abounding with the aboriginal screenings of several above abatement cine division titles. The festival’s premieres accommodate abundant awards division hopefuls as able-bodied as bright tributes to Adam Disciplinarian and Renee Zellweger.

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Significant titles entering the anniversary with abatement fizz accommodate James Mangold’s “Ford v Ferrari,” starring Matt Damon and Christian Bale, Adam Sandler as a Jewish architecture banker in “Uncut Gems,” the Edward Norton-directed “Motherless Brooklyn,” and Noah Baumbach’s “Marriage Story.”

That cine will serve as one of two films screening as allotment of a accolade to Adam Driver, the attenuate accountable of a Telluride accolade with two titles screening on abstracted days. Disciplinarian will arise at the anniversary with Netflix’s “Marriage Story,” anon afterwards its Venice premiere, as able-bodied as “The Report,” which Amazon Studios acquired out of Sundance. (Telluride about stages its accolade alert over the weekend.)

In an interview, Telluride co-director Julie Huntsinger explained the accommodation to accommodate both films in the tribute. “When I saw ‘The Report’ in January at Sundance and we knew about these added things advancing bottomward the pipe, we knew it was the division of Adam Driver,” she said, acknowledging that he would be actualization in one added 2019 release, as Kylo Ren in “Star Wars: The Rise of Skywalker” this December. That one won’t accomplish the accolade reel. “I ambition so abundant that we would’ve been able to accommodate a ‘Star Wars’ sneak, but they’d never let us do that,” she said. “But it’s an embarrassment of riches. They’re both such admirable films to be accent so we didn’t appetite one of them not to be allotment of the tribute.”

Meanwhile, Zellweger will appear a accolade highlighting her assignment in Roadside Attraction’s “Judy,” administrator Rupert Goold’s adjustment of the 2005 agreeable about Judy Garland’s 1969 concert tour. Huntsinger sang the praises of the extra in the appellation role. “She abolished absolutely into this performance,” Huntsinger said. “Sometimes, bodies can become caricatures back arena accepted figures, but she does the adverse of that — she’s this brittle adjustment of Judy Garland, but plays it in an amoebic way, so you see the animal being.”

While the looming showdown amid several alive platforms ablution this abatement continues to actualize all-overs for exhibitors, this year’s Telluride is assertive to accomplish the best of the affected experience.

The loudest premiere at the anniversary is acceptable to be the Fox-produced “Ford v Ferrari,” Mangold’s arrant attending at allegorical auto artisan Carroll Shelby (Matt Damon) and British disciplinarian Ken Miles (Christian Bale) as they advance a car advised to go up adjoin the best of the Ferrari antagonism aggregation in 1966.

In an interview, Telluride co-director Julie Huntsinger downplayed the comedy of the chase track, calling the two-and-a-half-hour cine “an ballsy arthouse film” and “a agitating aesthetic accomplishment with characters who are acutely intelligent.” At the above time, she singled out the movie’s complete design, which will be accustomed at the anniversary back complete flat Dolby Laboratories receives the appropriate brand at the anniversary above-mentioned to a screening. “The contest are cool old-fashioned, but you absolutely feel like you’re there,” she said.

“The Aeronauts”

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Courtesy of Amazon Studios

Another big-screen experience, “The Aeronauts,” reunites “The Theory of Everything” co-stars Eddie Redmayne and Felicity Jones for the 19th aeon chance of a scientist and pilot who rode a hot air airship beyond the London skies. The Amazon-backed activity will accept a one-week IMAX run in October. “It’s magical, fun, big,” Huntsinger said, “and one of those heartwarming chance movies that aloof don’t get fabricated anymore. You’re in the airship with Felicity and Eddie.”

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Another cine brilliant branch to Telluride this year makes his admission there as a filmmaker. Edward Norton’s adjustment of Jonathan Lethem’s neo-gumshoe “Motherless Brooklyn” has been a affection activity for the actor-director over the years, and he’s assuredly fabricated it as one of Warner Bros’ above abatement titles. Norton stars in the New York noir alongside an ensemble that includes Willem Dafoe, Bruce Willis, Alec Baldwin, and Gugu Mbatha-Raw. The soundtrack includes new compositions by Thom Yorke and Wynton Marsalis. Norton transplants the activity from Lethem’s aboriginal abreast ambience to the 1950s. Huntsinger said she and co-director Tom Luddy were afraid at how able-bodied they responded to the end result. “When we sat bottomward to watch it we thought, ‘Hmm, let’s see,’” she said. “It was a complete surprise, and at the end of it, Tom and I were absolutely blessed to anybody involved.”

One of the edgier offerings in the calendar looks to be “Uncut Gems,” which marks the Telluride admission from affinity admiral Joshua and Benny Safdie. The cine finds Sandler coil his affecting anatomy in a afraid account of anxiety attempt by adept cinematographer Darius Khondji in his aboriginal accord with the New York duo. “If you watched ‘Good Time,’ and acquainted like you might’ve had a affection attack, ‘Uncut’ will accord you one,” Huntsinger said, referencing the brothers’ Cannes-acclaimed 2017 effort. “I am afraid about this screening at 10,000 feet. Bodies ability canyon out. But the Safdies are eclectic, talented, and so exciting.”

The cine is one of three titles from benefactor A24, which abundantly launched “Moonlight” on the clue to its 2016 Best Picture win with burning Telluride buzz. This year, in accession to “Uncut Gems,” the benefactor will accompany two added accustomed admiral to Telluride for the aboriginal time. Kelly Reichardt’s 19th aeon gold blitz ball “First Cow” (which, like “Gems,” was produced by Scott Rudin) will awning at the festival, as will Trey Shults’ “Waves.”

The latest from Shults, whose antecedent two appearance — the ancestors ball “Krisha” and post-apocalyptic “It Comes at Night” — were additionally appear by A24, has been positioned as a abeyant analysis on the abatement circuit. “Waves” stars Kelvin Harrison Jr. as a afflicted Florida teen, Sterling K. Brown as his ambitious father, and Lucas Hedges as a classmate. “Trey is the array of aptitude that you can acquaint we’re alone activity to see added from,” Huntsinger said. “In three abbreviate films, this guy comes and delivers this activity that envelops your affection and soul.”

“Uncut Gems”

TIFF

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Other distributors authoritative their accepted circuit at Telluride this year accommodate Sony Pictures Classics, which is reintroducing its Cannes titles with Pedro Almodóvar’s Antonio Banderas agent “Pain and Glory” and “The Climb,” an American dramedy that was a analysis out of that festival’s Un Certain Regard sidebar. Netflix, which fabricated the Telluride stop aftermost year with “Roma,” will supplement “Marriage Story” with “An Inconvenient Truth” administrator Davis Guggenheim’s documentary “Inside Bill’s Brain” about the activity and assignment of Bill Gates. (Telluride lacks red carpets and bright parties, but the accidental vibe generally agency that stars can accommodated beneath airy affairs — so don’t be afraid if addition spots Banderas and Gates communicable up on a artery corner.)

Other documentaries at the anniversary accommodate addition Cannes carryover, the soccer biopic “Diego Maradona,” and the acknowledgment of Israeli documentarian Dror Moreh, whose Shin Bet exposé “The Gatekeepers” was a Telluride hit several years ago. This time, with “The Animal Factor,” he takes a afterpiece attending at ever-troubled accord talks in the Middle East. “He takes bulletproof capacity and lays them out in a way area aggregate makes complete sense,” Huntsinger said. (The documentary will be gluttonous U.S. distribution.)

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Another Telluride regular, lath affiliate Ken Burns, about unveils his latest assignment at the festival. This year, that agency the fifth adventure of his accessible “Country Music” series. “Ken Burns can never be taken for granted,” Huntsinger said. “This accomplished alternation is a admonition of how country music is the chance of America. (I absolutely anticipate he should be alleged America’s official storyteller. He keeps cogent our chance added intricately.” Telluride will be a complete ancestors activity for the filmmaker this year, as his brother, Ric Burns, will premiere the documentary “Oliver Sacks: His Own Life” and participate in a Q&A with Temple Grandin.)

Many of these selections ability assume assured for the festival, accustomed its history, but Telluride has generally served as a launchpad for added abnormal book achievements, such as “The Act of Killing.” In the 2019 program, that acumen appears to accord to Ed Perkins’ “Tell Me Who I Am,” addition Netflix title, which revolves about a man who awakens from a blackout with absent-mindedness and whose accompanying brother feeds him ambiguous advice about his past.

“The beneath you apperceive about it, the better,” Huntsinger said, but alleged the cine “a ballyhoo assuming of family, truth, and what absolutely affairs in life.” The added abeyant documentary breakout, “The Australian Dream,” follows Aussie soccer amateur Adam Goodes, who confronts the nation’s repressed history of racism afterwards actuality heckled by racist annoyance who angry out to be a boyish girl. “His chance is actual circuitous and moving,” Huntsinger said.

“Varda By Agnes”

Other contest at the anniversary accommodate a accolade to administrator Phillip Kaufman commutual with a apology of “The Unbearable Lightness of Being,” and a appropriate screening of “Varda By Agnes,” the final blur by French New Wave fable Agnes Varda, to whom the anniversary is dedicated. Varda’s babe and ambassador Rosalie, and her son Mathieu Demy, will appear the anniversary and participate in a chat with Martin Scorsese. Huntsinger recalled an barter with Varda at the 2017 Governors Award, back the filmmaker accustomed an honorary Oscar from Angelina Jolie. “She said, ‘Don’t any of the men like me?’” Huntsinger said. “We capital her to accept a nice address from an important man.”

Much about the Telluride calendar is echoed beyond the added above abatement festivals, including Venice (which began beforehand this week) and Toronto. But Telluride squeezes its affairs into four active days, and its backstairs access to the calendar has generally annoyed accoutrement with its competitors. It has become attitude unto itself for the anniversary to absolve off that advancing tension. “We saw aggregate we capital to see, and got aggregate we capital to invite,” Huntsinger said. “I anticipate bodies accept accomplished that every bit of acknowledgment is acceptable for a film, so let’s all appearance them and accomplish abiding they’re discovered. The accomplished antagonism activity is anti-cinema. You charge to accomplish abiding bodies see these things. It cannot be about the absolute dollar. Those of us who accept in that are afraid calm to accomplish abiding that happens.”

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The 2019 Telluride Blur Anniversary runs August 30 – September 2. The abounding calendar is listed below, with added details from the columnist office.

• THE AERONAUTS (d. Tom Harper, U.S.-U.K., 2019)• THE ASSISTANT (d. Kitty Green, U.S., 2019)• THE AUSTRALIAN DREAM (d. Daniel Gordon, Australia, 2019)• BEANPOLE (Kantemir Balagov, Russia, 2019)• THE CLIMB (d. Michael Angelo Covino, U.S., 2019)• COUP 53 (d. Taghi Amirani, U.K., 2019)• DIEGO MARADONA (d. Asif Kapadia, U.K., 2019)• FAMILY ROMANCE, LLC (d. Werner Herzog, U.S. – Japan, 2019)• FIRST COW (d. Kelly Reichardt, U.S., 2019)• FORD v FERRARI (d. James Mangold, U.S., 2019)• JUDY (d. Rupert Goold, U.K.-U.S., 2019)• A HIDDEN LIFE (d. Terrence Malick, U.S. – Germany, 2019)• THE HUMAN FACTOR (d. Dror Moreh, U.K., 2019)• INSIDE BILL’S BRAIN (d. Davis Guggenheim, U.S., 2019)• THE KINGMAKER (Lauren Greenfield, U.S., 2019)• LYREBIRD (d. Dan Friedkin, U.S., 2019)• MARRIAGE STORY (d. Noah Baumbach, U.S., 2019)• MOTHERLESS BROOKLYN (d. Edward Norton, U.S., 2019)• OLIVER SACKS: HIS OWN LIFE (d. Ric Burns, U.S., 2018)• PAIN AND GLORY (d. Pedro Almodóvar, Spain, 2019)• PARASITE (d. Bong Joon-ho, South Korea, 2019)• PORTRAIT OF A LADY ON FIRE (d. Céline Sciamma, France, 2019)• THE REPORT (d. Scott Z. Burns, U.S., 2019)• TELL ME WHO I AM (d. Ed Perkins, U.K., 2019)• THOSE WHO REMAINED (d. Barnabás Toth, Hungary, 2019)• THE TWO POPES (d. Fernando Meirelles, U.K., 2019)• UNCUT GEMS (d. Josh Safdie, Benny Safdie, U.S., 2019)• VARDA BY AGNÈS (d. Agnès Varda, France, 2019)• VERDICT (d. Raymond Ribay Gutierrez, Philippines, 2019)• WAVES (d. Trey Edward Schultz, U.S., 2019)

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Also arena in the capital affairs is COUNTRY MUSIC (d. Ken Burns, U.S., 2019); WOMEN MAKE FILM: A NEW ROAD MOVIE THROUGH CINEMA (d. Mark Cousins, U.K., 2019); and three abbreviate films: FIRE IN PARADISE (d. Zack Canepari, Drea Cooper, U.S., 2019), INTO THE FIRE (d. Orlando von Einsiedel, Iraq-U.K., 2019) and LOS AND FOUND (d. Orlando von Einsiedel, Bangladesh-U.K., 2019).

The 2019 Silver Brand Awards accustomed to admit an artist’s cogent addition to the apple of cinema will be presented to Academy Accolade acceptable extra Renée Zellweger (with JUDY), Oscar nominated amateur Adam Disciplinarian (with MARRIAGE STORY and THE REPORT) and Oscar nominated Philip Kaufman (with anew adequate THE UNBEARABLE LIGHTNESS OF BEING). Accolade programs accommodate a alternative of clips followed by the presentation of the Silver Medallion, an onstage account and a screening of the above films.

Guest Administrator Pico Iyer, who serves as a key assistant in the Festival’s program, presents the afterward awakening programs:• LATE AUTUMN (d. Yasujirō Ozu, Japan, 1960)• THE MAKIOKA SISTERS (d. Kon Ichikawa, Japan, 1983)• MR. AND MRS. IYER (d. Aparna Sen, India, 2002)• UNDER THE SUN (d. Vitaly Mansky, Czech Republic-Russia-Germany-Latvia-North Korea, 2015)• WHEN A WOMAN ASCENDS THE STAIRS (d. Mikio Naruse, Japan, 1960)

Additional blur revivals accommodate THE WIND (d. Victor Sjöström, U.S., 1928), and a new 35mm book of THE PHANTOM CARRIAGE (d. Victor Sjöström, Sweden, 1921).

Telluride Blur Anniversary annually celebrates a hero of cinema – an alignment or alone – that preserves, ceremoniousness and presents abundant movies. This year’s Appropriate Brand accolade goes to the aggregation that revolutionized sound, Dolby Laboratories.

Backlot, Telluride’s affectionate screening allowance featuring behind-the-scenes movies and portraits of artists, musicians and filmmakers, will awning the afterward programs:• 63 UP (d. Michael Apted, U.K., 2019)• BILLIE (d. James Erskine, U.K., 2019)• CHULAS FRONTERAS (d. Les Blank, U.S., 1976)• THE GIFT: THE JOURNEY OF JOHNNY CASH (d. Thom Zimny, U.S., 2019)• LINDA RONSTADT: THE SOUND OF MY VOICE (d. Rob Epstein, Jeffrey Friedman, U.S., 2019)• NOMAD: IN THE FOOTSTEPS OF BRUCE CHATWIN (d. Werner Herzog, U.S., 2019)• SOROS (d. Jesse Dylan, U.S., 2019)• UNCLE YANCO (d. Agnès Varda, France-U.S., 1967) BLACK PANTHERS (d. Agnès Varda, France-U.S., 1968)

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Additional Festivities will booty abode throughout the Anniversary including a Affiche Signing with 2019 affiche artisan Edwina White; two Philip Kaufman abstract including THE RIGHT STUFF (U.S., 1983) and THE WANDERERS (U.S., 1979); and Sydney Pollack’s continued advancing AMAZING GRACE (U.S., 1972/2015).

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